Cross-posted from: !animationafter30@lemmy.world

Original post: https://lemmy.world/post/17367342


Title: Train to the End of the World (English); 終末トレインどこへいく?(Japanese)

Type: Anime

Year: 2024

Country: Japan

Genre: Surreal

Status: Completed

Platform: Crunchyroll (watch here)

Appropriate for 30+?: No, but I (mostly) enjoyed it anyway

My rating: 3.5/5 stars

(Rating scale: 5/5 = masterpiece, 4/5 = quite good, 3/5 = mostly good, 2/5 = bleh, 1/5 = I regret ever being exposed to this series, 0/5 = affront to humanity)


Train to the End of the World (TEW) is perhaps one of the worst “cute girls doing cute things” series I’ve ever watched, and yet it’s probably the series I’ve enjoyed the most this year so far.

Much like Girls’ Last Tour, this is an entry into the “cute girls doing cute things, but in a dystopian setting” sub-sub genre that in theory hinges upon the bizarre juxtaposition of two seemingly incongruent elements. However unlike Girls’ Last Tour, (or the currently-airing Dead Dead Demon’s Dededede Destruction), TEW probably would have benefited greatly from having literally any other cast of main characters. I thought the girls were really cliche, annoying, and forgettable, with painfully uninspired dialogue, and were regrettably-yet-unsurprisingly subject to a level of sexualization that would probably make most older audiences uncomfortable (nothing extraordinary, just the anime standard treatment of high school girls). Honestly I zoned out during most of the scenes involving the girls chatting amongst themselves, and I doubt I missed much plot at a result.

Despite all this, the premise/setting/world building of TEW makes up for its flaws. Once the girls STFU, the show gets to show off its weird, fun, creepy side. This is a series that makes you go ah, this is what the animated medium is for: surreal nonsense that would require a buttload of fake-ass CGI to even attempt to portray in live action. I really like the tone of the series, which is generally upbeat but with an uneasy aftertaste that puts you on edge while never actually venturing into tragedy (as can happen with surreal/dystopian series, looking at you Kaiba). There’s a good balance of exploration and action, with some decent comedy tossed in on occasion.

Maybe I’m biased because my first trip to Japan, I spent a few weeks living at a guest house in Oizumi-Gakuen along the Seibu-Ikebukuro Line featured in this anime, and I’m a complete sucker for series that utilize real places (and TEW has a whole train line of them). Regardless I absolutely loved the premise of riding a train through a vast, unknown land of magic and horror, stopping at each station to learn what became of various previously-sleepy commuter towns in bizarro-Tokyo, intensity growing the closer you get to the city-within-a-city of Ikebukuro. TEW is a bit like Kino’s Journey, but with socio-political commentary replaced with the train scene in Spirited Away albeit with more menacing vibes.

In summary, TEW is weird and atmospheric and I am here for it, despite the obnoxious (and occasionally uncomfortably-portrayed) main cast of cliche anime high school girls. Perhaps the creators didn’t quite nail what they set out to do, but I couldn’t help but really appreciate the attempt.


As with all my reviews, the above is nothing more than my personal opinion. Have you read this series? What did you think? Post in the comments!

  • ludrol@bookwormstory.social
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    4 months ago

    and I doubt I missed much plot at a result.

    Plot - nah

    Jokes so fast that you bearly register them - yea

    I had VERY different vibe of this than Kino’s journey or girls last tour.

    More like Flip Flappers, Kyousou giga, Olympia kyklos( that’s a streach)

    • fireweed@lemmy.worldOP
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      4 months ago

      For sure, the tone of TEW is nothing like Kino (I only read the light novels, but I’m assuming the anime is similarly dark). However I thought the setting hit similar notes: visiting isolated city-state-like communities separated by vast, unpopulated expanses, each dramatically different from the others in some strange, unfortunate manner. I loved this world-building premise in Kino, and was happy to see it again but with a different twist in TEW.