Personally, I’m partial to a slow burn horror movies. I don’t mind jumpscares if they serve a purpose other than to startle you. For example in Hereditary, one of the jump scares is the mom driving alone in her car and she hears her dead daughter make her signature mouth click sound. That startles you, but also lets you know the daughter may not be gone. As opposed to a generic jumpscare like a cat jumping out of a window with a dramatic music sting.
My all-time favorite horror movie technique is a lingering camera after the dialogue and characters leave. Like even if they don’t show anything it makes me uneasy. I don’t know what that’s called but it’s so good if the director does it right.
Personally, I’m partial to a slow burn horror movies. I don’t mind jumpscares if they serve a purpose other than to startle you. For example in Hereditary, one of the jump scares is the mom driving alone in her car and she hears her dead daughter make her signature mouth click sound. That startles you, but also lets you know the daughter may not be gone. As opposed to a generic jumpscare like a cat jumping out of a window with a dramatic music sting.
My all-time favorite horror movie technique is a lingering camera after the dialogue and characters leave. Like even if they don’t show anything it makes me uneasy. I don’t know what that’s called but it’s so good if the director does it right.
“There is no terror in the bang, only in the anticipation of it.”
Alfred Hitchcock
I Am The Pretty Thing That Lives In The House was really, really good at this… although, maybe, not much else.
The Last Will & Testament Of Rosalind Lee did it really well too.
Thanks for this, I don’t think I’ve seen either of those. Gonna have to check them out.
You may like The Witch.
Oh yeah, The Witch was great. Period piece horror can be hit or miss, but that one hit it out of the park for me.