You should go to a drum corps rehearsal or elite piano/violin recital. Shit or even an arcade hosting a bemani tournament. Like not one of the places where their parents are forcing them but somewhere where people are just doing it because they want to, even if it sucks sometimes to play for hours and hours and hours

I used to teach lessons and you do have a point, a lot of people want to be good without doing any work. That’s true of any endeavor that requires effort. A lot of people covet the reward without paying enough mind to the serious amount of effort that one undertakes to get to that point

But some people actually do want to achieve greatness, some people want a sense of accomplishment, some people want a deeper understanding of their instrument, etc

Even if you’re an electronic producer that only ever uses the piano roll you would still benefit from a better understanding of theory and improvisation. This doesn’t come from nothing; it comes from grinding. You don’t necessarily need to read theory books and practice piano of course, you will gain a sense of these from writing songs and getting feedback, but you still need to write and/or play a lot

The rise in electronic artists is arguably more to do with accessibility. literally everyone has a computing device and free music making software is relatively abundant, instruments are expensive and loud, practice space is hard to come by especially in urban environments. Additionally electronic music has a huge factor of cultural relevance in terms of trends from production styles being popular across genres.

AI music is a tool and it’s impressive but the results are mostly derivative, which makes sense given how it works. it would be really cool to see more resources invested into spaces for people who actually wanted to pursue the arts to be able to do so as this is likely the way music (and other art) truly moves forward and actually innovates instead of just hashing out the same tired shit