SPOILERS throughout. I thought it was mostly okay, but kind of underwhelming with a middle that just felt like filler. -The mirrored version of the Logo had me half worried I somehow started streaming on a pirated site, but then it switched around and it was cute.

-Speaking of which, any particular reason they mirrored the text into the lake establishing shot. I like some movies where they make the text part of the environment but this ain’t that.

-I get she’s supposed to be out of breath but the airiness of her words is really tempting me to break a self promise of avoiding subtitles for movies to better my listening skills.

-I was beginning to wonder if those were eggs boiling in the stew and then it turned out to be poison.

-Was this supposed to mirror the beginning of DSC with the walking on sand and getting picked up?

-I loved the one lady in the background casually smiling at the burning hot torture.

-That said this ascension trial seems rather peculiar and unusual for the Terran empire. I’d have thought a dash of nepotism would’ve been in order but she’s just some rando.

-That briefing was rather cheesy. The mystery McGuffin. “This dog bites back?”

-Stardate “1292?” but still using CE year in that earlier briefing without saying it’s CE? I see they continue with the trend of making dates more about vibes than making sense or sticking to a system.

-I do like the design of the swirly space station.

-Bubble Gum spotted. Now I’m thinking about that scene from DS9.

-OMG it’s those half-white and half-black guys from TOS. I never expected to see them again.

-That singer in the “bagel hole” shot along with the edible eye prop kind of made me think EEAAO.

-Okay, I did wonder why that Vulcan was laughing so hard, but I figured he might’ve been half, or Romulan or something. Glad to see that was a deliberate “what’s wrong with this picture?” in a later reveal.

-They’re really hamming it up with these “gathering the team” scenes. It’s a bit goofy.

-Is there a Guy Ritchie inspiration to this movie? Wouldn’t surprise me.

-I’ll be the one to ask the inevitable “why doesn’t it/she/they phase through the floor” question.

-I turned the subtitles on. I just couldn’t make out “Give me the case” and this sound balancing was bothering me.

-Did that naked Andorian have no genitals? Perhaps confirmation of that 3rd/4th Gender from the extended stuff?

-Ugh, I hate the “breaking a bottle on a head” cliche.

-I do think the phase fight was kind of cool, Kitty Pride is among my favorite X-men, but I’ll always have the why phase through walls and people but not the floor question in my mind, and the glitching at the end felt cheap—but it’s always better to be unlucky in getting into more problems than out of them from a writing perspective.

-I do think the Emperor’s reflection while San explains “it is all for you” was a nice shot.

-I definitely laughed at the “I forbid you to die” line.

-It does seem kind of silly that Section 31 has a uniform, even if it’s all black.

-The God’s End vs Godsend joke fell flat for me.

-it sure became nighttime rather quickly.

-It’s a mole subplot. If done wrong I’d probably hate it. I don’t like guessing. RN I’ll guess it’s the leader Alok who’s the mole and see how that sticks.

-Are they really going so fast to say it’s the mech-head with no seeming brain. I feel like it’s a fakeout.

-Okay, so it was. It feels like the mole revealed plot was over a little too quickly. What was it, 13 minutes? -The tunnel fight felt a little too “shakey cam” for me.

-I’m getting flashbacks to Mozart’s laugh in Amadeus.

-The callback about the confusing name also fell flat for me.

-I think they take the “we’re direct to streaming, we can swear whenever we want” card too far with ST and it continues to be poorly implemented here.

-Three parts of “coded transmissions.” ~40 minutes, 25 minutes, 25 minutes, roughly. I can see this having been a miniseries earlier.

-The doll’s kind of creepy. I do like the “different region, different safety standard” bit of world building with the battery. It reminds me of power outlets or how British and U.S. eggs are illegal in each others’ countries. Stuff that adds verisimilitude.

-I feel that the struggle with the autopilot robot went on too long, considering the mild incompetence it was showing earlier at blending in.

-The microbe has a monologue about small things surviving big explosions but then gets defeated by an explosion? Okay.

-So San gets cut in the Carotid artery it looks like. Is this a reference to McCoy saying something along the lines of “if you were to kill me cut me here” while in the Sickbay of ToS with a knife on him?

-Who was that hologram lady supposed to be at the end? She looks vaguely familiar but I couldn’t place her.

So the Terran empire runs some kinda hunger games for the next evil emperor… and the current evil emperor is just cool with abdicating I guess?

I wish I could enjoy it, but it just feels so dumb to watch a fairy tale transfer of power in the most evil setting.

Okay, I enjoyed it as a breezy action movie.

I had a goofy grin on my face for much of the first act - it had style, which sort of fell away over time, which was unfortunate.

The Georgiou story is by far the strongest aspect of the movie - long-lost lover seeking revenge isn’t the most original of plots, but it’s executed well enough, and Michelle Yeoh is pretty terrific as expected. I particularly liked her line about a monster with a conscience being useless.

The middle act probably should have been simplified. The mole storyline was a distraction that prevented us from getting to know the new characters, and every single one of them suffers for it. Garrett’s storyline needed more meat, and I would have appreciated more time spent with Alok beyond just the exposition of his backstory. Quasi skates by on Sam Richardson’s considerable charm alone.

All in all, I think the movie is worth the time, even if no one’s going to call it “deep” any time soon. I’d certainly be interested in watching them go to Turkana IV.

RIP Zeph. You were too beautiful for this world.