I will die on this hill.
Okay, yes, in the first five minutes of the first episode, we have annoying sideburns and a lengthy boring conversation by two of the most American dudes who have ever lived. The episode gets much better after John goes off on his little adventure.
Almost all of the animation is dated. The puppets look cool but they’re clearly puppets.
John Crichton can be annoying. He is basically the smart jock, which is kind of an interesting combination. He can barely open his mouth without referencing pop culture. Yes, Farscape influenced Guardians of the Galaxy.
D’Argo is just a Klingon. The actor definitely eases into the role though as the show progresses.
Toward the end of the series, the show pulls a Jon Stewart and basically just uses magical powers to make everyone see the other side and get along. This is ridiculous. (Yes, they weren’t allowed to finish the show because the SciFi channel was in the process of becoming like the discount HGTV or whatever at the time.)
The show struggles at times to not be just Star Trek with sex.
The show misses opportunities for social commentary, which are abundant when your story is basically about a bunch of criminals getting chased across the galaxy by imperialists (who are called Peacekeepers!). There’s a lot of strong female leads but some misogyny as well. I could have sworn that the anarchist plant Zhaan said at some point that she has no gender, but I can’t find any reference to that.
Almost everyone is Australian or a Kiwi.
All this being said, it’s a great, fun, entertaining, and visually rich show, and worth checking out. Plus, if you really get into it, everyone, even people obsessed with Star Trek, will think you’re a nerd.
Sorry I put this in c/movies, since there’s no c/television.
I will not regret posting this.
Farscape was a refreshing change from Star Trek in how it didn’t take itself too seriously. It’s interesting having aliens that are truly alien , but using puppets allows the actors to still interact with them, and give a more convincing performance.
My favourite part of the show is how it didn’t really feel the need to stop and explain everything to the viewer. Like, Crichton steps into a time blip and it creates evolved and de-evolved versions of him, and we don’t need a Star-Trek style technobabble scene about what happened and why. Farscape was aimed at long-time sci-fi fans who’d understand this sort of thing because we’d seen it a dozen times already, which was refreshing.