I’m joking with the meme, but it’s an interesting how plot armor unintentionally places value on people’s lives in fiction.

It’s telling that censorship laws decide who it is and isn’t acceptable to kill. Just thinking about violence against sentient robots and how that’s normalized in things like Samurai Jack.

Like we know the robot has thoughts and feelings, like they’ll try to run to save themselves or plead for mercy, but a character can still heroic after essentially killing a non-human who’s acting like how we understand humans.

I feel like there’s something dangerous in how easily we can depict appropriate targets of violence. Not just robots, but anybody deemed as less than human are allowed to be more put at risk.

us-foreign-policy

Unnamed people are killed in superhero fights all the time. But unless they are of a class of characters like protagonists, they are collateral damage at best.

I think Plot Armor as a trope needs more class consciousness and awareness around how deciding who gets to be protected is often an unconscious political belief.

What about you though? Any tropes in media you’d like to see explored more or written with a leftist understanding?

  • TheDialectic [none/use name]@hexbear.net
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    8 months ago

    I get it but like we just figured out how to make concrete as good as the Roman’s like a year ago. Anyone borne before ww1 would have looked at roman mechanical engineering as a marvel. Still in places in America today come to that. So the fall is actually the most realistic trope. Just look at our highways in America made by our grandparents. We couldn’t do that today.

    • Alaskaball [comrade/them]@hexbear.net
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      8 months ago

      We couldn’t do that today.

      Yes we can. It’s called state intervention. It doesn’t happen now because the current state has been hollowed out by capital to the point of minimal functionality in the u.s.

      We can easily look to our contemporaries in China and see them doing shit exactly like what happened back then and then some extra because of the technological difference between the 1950s to now.