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The video is great. A shame that it’s getting downvoted.
In fiction there’s the concept of suspension of disbelief. Wikipedia describes it better than I could, but to keep it short - when you’re reading/watching/etc. a fictional story, you avoid applying your critical thinking and logic reasoning to certain story elements, in order to enjoy it.
I feel like a similar but not identical principle operates with game mechanics. I’ll call it here suspension of scepticism. That suspension of scepticism makes you willing to trust that the information provided or implied by the game about itself is factual, accurate, and relevant.
For example, if it shows you a six-sided die, you treat it as a fair die, and you treat your odds of getting a 1 the same as getting a 6, a 5, or any other number. You won’t save the game, throw the die a hundred times, and see if it’s actually fair or not.
Those “design lies” use that suspension of scepticism to deliver a better experience. And it works - for the reason mentioned in the video, it makes playing more enjoyable.
However just like the suspension of disbelief can be broken, so does the suspension of scepticism. It’s OK if the game designer is a liar, but he must be a good liar; if you lie too often or too obviously, the player will smell the lie from afar, and the suspension of scepticism is broken. And with it, the enjoyment of the game goes down the drain.
That’s a mentality that was the norm back in 2010, and one of the reasons the og dark souls got called a “very hard game”. It wasn’t that hard of a game, it was just a game that let you die as many times as mistakes you made, and it’s both objectively a better game for it, while also being hugely influential to the industry on this particular matter. To the point that it has been given the title and award of “ultimate game of all times”. Deserved for reminding that games are supposed to be games, and failing is 100% supposed to be part of it.
It almost like, when you learn the lesson the encounter is designed to teach you, you get better at the game 🤷🏼♀️
This rubber banding bullshit is like if Mario’s original 1-1, very carefully crafted to introduce you to the basic mechanics of the game, just started letting you walk through pipes if you never jumped over it. You don’t have a game any more.
To the point that it has been given the title and award of “ultimate game of all times”
I wish people into niche genres with limited appeal would stop making claims like that. By all means enjoy the game but also acknowledge that this kind of play style is not for everyone, especially not for people who don’t have hundreds of hours to put into a game.
It’s not a claim I made though. It got that award from the voting public by the golden joystick. And souls are definitely no longer niche, Elden Ring success is an obvious clue, but the fact that most AA or AAA action games with a melee weapon from the last 5 years implements some mechanics from souls games is another huge indication of the mass appeal and impact dark souls has had on gaming culture.
Nobody is denying that it founded a new genre, doesn’t mean that that genre’s mechanics are now needed in every game ever made in the future or that it is the most popular genre among all players.
It’s not what I’m saying either. I don’t know where you found any such claims in my comment. All I said is that games are supposed to be games, and failing is supposed to be part of games. You can fail even in a chill game like Stardew Valley, and you probably will on your first playthrough if you don’t look anything up. The game won’t game over because of it, but you will spend your entire second year suffering and trying to fix the mistakes you made in your first year. I can’t remember a single game I played where failing was not something that could happen that felt better because of it. Case in point: I was playing Jusant and was interested in the game, until I realized I couldn’t truly fail in that game, and all of the mechanics in place that looked like they were game mechanics, were actually just smoke and mirrors.
Yes the people playing Mario Kart deserve to lose 100 times in a row until they git gud because every game needs to be frustrating or its not a real game
You don’t get better if the game breaks the mechanics to prevent you from getting feedback for your actions, and yes, that’s exactly why I can’t tolerate Mario Kart.
If you like self-improvement then why do it at something useless like a game? Maybe the people like to use the game to take a break from the time they spend on improving actually productive skills in their life.
That’s literally what play is and why our brains do it. It’s exploration and learning in an imagined world.
Anything without a continuous ability to explore different decisions and their consequences is tedious and mind numbing. Mario Kart is less fun than watching paint dry.
Fun is also what fuels exploration and learning. I think the overall point here is that there are people who have fun with different experiences that may be at odds with each other. Some people like struggling with something until they achieve success, and others just want to relax and have a good time.
Personally, I’ve had my fun with hard games in the past, but I’m turned off from the idea of getting stuck behind a skill barrier because I’m older now and have less time to spend on games.
Players can lower the difficulty themselves, the game shouldn’t do it for them. The game can prompt, but it should never be automatic IMO, especially when strategies can change depending on the difficulty level.
Any existence of either of those things is an effectively insurmountable barrier to a game I can tolerate in any way. “Fair” is a core element of proper game design, and if you make your game unfair by cheating for or against the player, you’re breaking your game, and you’re a bad game designer.
It’s extremely common. You’ve probably played and loved dozens of games that do it without you knowing. Resident Evil 4 is the famous example, but to its detriment, I could see it working in the Resident Evil 2 remake as well.
Have you ever gotten through an encounter by the skin of your teeth, with just barely enough ammo and health? It’s probably because you had more health than the game told you, or that the last bullet in your magazine does more damage than the rest of them.
But often times, that’s desirable. Not everyone sits down with a game to be thoroughly challenged, and even with the difficulty dynamically adjusting to you, there are often other ways to further tune it up. They don’t make failure impossible, but they try to find that sweet spot for a flow state, which is going to be incredibly difficult to find with unchanging difficulty modes. If you didn’t notice, games used to have astonishingly low completion rates back when they did have unchanging difficulty modes.
It’s not desirable. Building a game that enables people to continually make actual progress is desirable. Allowing people to modularly adjust difficulty if they feel a game is too difficult is desirable.
Removing feedback to make it significantly harder to get better at a game is not desirable. You cannot get better if a game is constantly lying to you about what is good and what is bad. Rubber banding isn’t just “fake progress to get by an encounter”. It actively prevents you from being able to learn because it gives you unreliable mixed signals. It’s fundamentally broken and being forced to rely on it means your actual game design is fundamentally broken.
I think you’re overstating the importance of games as a platform for skill development as opposed to a platform for, you know, having fun. The fact is that the vast majority of players play any game on one of its lowest difficulty settings.
Rubber banding is made for the core of the game’s audience and challenge-seekers are just not large enough to be that core. Some of those rubber banding mechanics can and are disabled at higher difficulty settings. Others are needed at higher difficulty because the AI can’t compete and the investment in dev time to improve the AI just isn’t worth it because, again, very few people actually play the game at those difficulties.
Hard disagree. There’s plenty of games that are little more than dressed up choose your own adventure stories. Plenty that are meant for chill and relaxing gameplay. Plenty that do little more than guide you through horror scenes. And so on.
And even beyond that, most people don’t even play a game long enough to have any real “skill development over time.” I read from the Civ7 director recently that if you’ve ever finished a game of Civ you’re literally in a minority of the player base. And that tracks with what I’ve heard about other games as well.
Most players of any given game never finish it. Most of those quit at the first sign of frustration and most are on the easiest game difficulties. This would indicate to me that the majority’s conception of “fun” has little to no relation to skill development in the game. They’re there for the moment to moment experiences. Rubber band mechanics are there to evoke those fun experiences more often in the majority of the player base.
None of this is conjecture. These practices make their way into games because we can measure the result. The goal of the game designer, usually, isn’t necessarily to make the player better at the game but to help them to have fun. It’s why multiplayer games with matchmaking typically make your first matches against bots disguised as humans. If you lose your first match, there’s about a 60% chance that you’ll never play that game again, because you never got to have that feeling that shows why the game is fun. If you get frustrated with a difficult portion of a campaign or story driven game, you’re more likely to put it down and, among other things, less likely to buy the sequel since you never saw the end of the previous one.
You can’t “measure the result”. Hours played is not game quality, and there is very little overlap between games that stand the test of time and games that are broken by rubberbanding. It is a short term dopamine manipulation that removes the actual satisfaction of actually playing a game. It’s like saying slots are a good game because they form addicts.
If you use rubber banding, you are terrible at what you do.
You can measure how many players finish the game, and you can measure the effect that finishing the previous game has on sales of the sequel. You can measure the review scores, critic and user, for your games with and without the difficulty adjustment. You can measure how many players stick around in a multiplayer game after a loss. You can see what complaints, criticisms, or praise you get in play testing in A/B tests with or without certain parts of these that are lies. Maybe the game with totally fair racing AI shows you how to actually get better at the game, but no one’s going to have any fun if you’re so far ahead of the other racers that it feels like you’re racing on an empty track, and game designers knew that decades ago.
The video is great. A shame that it’s getting downvoted.
In fiction there’s the concept of suspension of disbelief. Wikipedia describes it better than I could, but to keep it short - when you’re reading/watching/etc. a fictional story, you avoid applying your critical thinking and logic reasoning to certain story elements, in order to enjoy it.
I feel like a similar but not identical principle operates with game mechanics. I’ll call it here suspension of scepticism. That suspension of scepticism makes you willing to trust that the information provided or implied by the game about itself is factual, accurate, and relevant.
For example, if it shows you a six-sided die, you treat it as a fair die, and you treat your odds of getting a 1 the same as getting a 6, a 5, or any other number. You won’t save the game, throw the die a hundred times, and see if it’s actually fair or not.
Those “design lies” use that suspension of scepticism to deliver a better experience. And it works - for the reason mentioned in the video, it makes playing more enjoyable.
However just like the suspension of disbelief can be broken, so does the suspension of scepticism. It’s OK if the game designer is a liar, but he must be a good liar; if you lie too often or too obviously, the player will smell the lie from afar, and the suspension of scepticism is broken. And with it, the enjoyment of the game goes down the drain.
I watched 3 minutes and he advocates multiple absolutely game breaking terrible ideas.
“We don’t want players to die” is cancer. “Silently changing difficulty” when people die is cancer.
Dying is a good thing. Players learning to get past difficult segments is a good thing. A game that doesn’t respect that is broken.
That’s a mentality that was the norm back in 2010, and one of the reasons the og dark souls got called a “very hard game”. It wasn’t that hard of a game, it was just a game that let you die as many times as mistakes you made, and it’s both objectively a better game for it, while also being hugely influential to the industry on this particular matter. To the point that it has been given the title and award of “ultimate game of all times”. Deserved for reminding that games are supposed to be games, and failing is 100% supposed to be part of it.
It almost like, when you learn the lesson the encounter is designed to teach you, you get better at the game 🤷🏼♀️
This rubber banding bullshit is like if Mario’s original 1-1, very carefully crafted to introduce you to the basic mechanics of the game, just started letting you walk through pipes if you never jumped over it. You don’t have a game any more.
I wish people into niche genres with limited appeal would stop making claims like that. By all means enjoy the game but also acknowledge that this kind of play style is not for everyone, especially not for people who don’t have hundreds of hours to put into a game.
It’s not a claim I made though. It got that award from the voting public by the golden joystick. And souls are definitely no longer niche, Elden Ring success is an obvious clue, but the fact that most AA or AAA action games with a melee weapon from the last 5 years implements some mechanics from souls games is another huge indication of the mass appeal and impact dark souls has had on gaming culture.
Nobody is denying that it founded a new genre, doesn’t mean that that genre’s mechanics are now needed in every game ever made in the future or that it is the most popular genre among all players.
It’s not what I’m saying either. I don’t know where you found any such claims in my comment. All I said is that games are supposed to be games, and failing is supposed to be part of games. You can fail even in a chill game like Stardew Valley, and you probably will on your first playthrough if you don’t look anything up. The game won’t game over because of it, but you will spend your entire second year suffering and trying to fix the mistakes you made in your first year. I can’t remember a single game I played where failing was not something that could happen that felt better because of it. Case in point: I was playing Jusant and was interested in the game, until I realized I couldn’t truly fail in that game, and all of the mechanics in place that looked like they were game mechanics, were actually just smoke and mirrors.
Yes the people playing Mario Kart deserve to lose 100 times in a row until they git gud because every game needs to be frustrating or its not a real game
You don’t get better if the game breaks the mechanics to prevent you from getting feedback for your actions, and yes, that’s exactly why I can’t tolerate Mario Kart.
Well, not everyone plays games to get better. If I can enjoy the game, then what does it matter if games lets me think I am better than I actually am?
It’s your right to like or dislike any features. Just as it’s our right to like or dislike any features. There is no objectively good or bad in it.
If you like self-improvement then why do it at something useless like a game? Maybe the people like to use the game to take a break from the time they spend on improving actually productive skills in their life.
That’s literally what play is and why our brains do it. It’s exploration and learning in an imagined world.
Anything without a continuous ability to explore different decisions and their consequences is tedious and mind numbing. Mario Kart is less fun than watching paint dry.
Fun is also what fuels exploration and learning. I think the overall point here is that there are people who have fun with different experiences that may be at odds with each other. Some people like struggling with something until they achieve success, and others just want to relax and have a good time.
Personally, I’ve had my fun with hard games in the past, but I’m turned off from the idea of getting stuck behind a skill barrier because I’m older now and have less time to spend on games.
Players can lower the difficulty themselves, the game shouldn’t do it for them. The game can prompt, but it should never be automatic IMO, especially when strategies can change depending on the difficulty level.
Haven’t watched the video, but it depends on the game. For some games, these are very valid choices.
I whole heartedly disagree.
Any existence of either of those things is an effectively insurmountable barrier to a game I can tolerate in any way. “Fair” is a core element of proper game design, and if you make your game unfair by cheating for or against the player, you’re breaking your game, and you’re a bad game designer.
It’s extremely common. You’ve probably played and loved dozens of games that do it without you knowing. Resident Evil 4 is the famous example, but to its detriment, I could see it working in the Resident Evil 2 remake as well.
Have you ever gotten through an encounter by the skin of your teeth, with just barely enough ammo and health? It’s probably because you had more health than the game told you, or that the last bullet in your magazine does more damage than the rest of them.
I know it’s common. It completely fucking destroys games singlehandedly. There is no acceptable way to do it.
Rubber banding replaces actual progress with illusory progress.
But often times, that’s desirable. Not everyone sits down with a game to be thoroughly challenged, and even with the difficulty dynamically adjusting to you, there are often other ways to further tune it up. They don’t make failure impossible, but they try to find that sweet spot for a flow state, which is going to be incredibly difficult to find with unchanging difficulty modes. If you didn’t notice, games used to have astonishingly low completion rates back when they did have unchanging difficulty modes.
It’s not desirable. Building a game that enables people to continually make actual progress is desirable. Allowing people to modularly adjust difficulty if they feel a game is too difficult is desirable.
Removing feedback to make it significantly harder to get better at a game is not desirable. You cannot get better if a game is constantly lying to you about what is good and what is bad. Rubber banding isn’t just “fake progress to get by an encounter”. It actively prevents you from being able to learn because it gives you unreliable mixed signals. It’s fundamentally broken and being forced to rely on it means your actual game design is fundamentally broken.
I think you’re overstating the importance of games as a platform for skill development as opposed to a platform for, you know, having fun. The fact is that the vast majority of players play any game on one of its lowest difficulty settings.
Rubber banding is made for the core of the game’s audience and challenge-seekers are just not large enough to be that core. Some of those rubber banding mechanics can and are disabled at higher difficulty settings. Others are needed at higher difficulty because the AI can’t compete and the investment in dev time to improve the AI just isn’t worth it because, again, very few people actually play the game at those difficulties.
It’s not possible for a game to be fun without development of skill over time.
That’s the core concept of what a game is: forcing you to make ambiguous decisions in an uncertain environment.
Hard disagree. There’s plenty of games that are little more than dressed up choose your own adventure stories. Plenty that are meant for chill and relaxing gameplay. Plenty that do little more than guide you through horror scenes. And so on.
And even beyond that, most people don’t even play a game long enough to have any real “skill development over time.” I read from the Civ7 director recently that if you’ve ever finished a game of Civ you’re literally in a minority of the player base. And that tracks with what I’ve heard about other games as well.
Most players of any given game never finish it. Most of those quit at the first sign of frustration and most are on the easiest game difficulties. This would indicate to me that the majority’s conception of “fun” has little to no relation to skill development in the game. They’re there for the moment to moment experiences. Rubber band mechanics are there to evoke those fun experiences more often in the majority of the player base.
There’s a wide range of games that are low skill or require no skill that people play and enjoy.
None of this is conjecture. These practices make their way into games because we can measure the result. The goal of the game designer, usually, isn’t necessarily to make the player better at the game but to help them to have fun. It’s why multiplayer games with matchmaking typically make your first matches against bots disguised as humans. If you lose your first match, there’s about a 60% chance that you’ll never play that game again, because you never got to have that feeling that shows why the game is fun. If you get frustrated with a difficult portion of a campaign or story driven game, you’re more likely to put it down and, among other things, less likely to buy the sequel since you never saw the end of the previous one.
You can’t “measure the result”. Hours played is not game quality, and there is very little overlap between games that stand the test of time and games that are broken by rubberbanding. It is a short term dopamine manipulation that removes the actual satisfaction of actually playing a game. It’s like saying slots are a good game because they form addicts.
If you use rubber banding, you are terrible at what you do.
You can measure how many players finish the game, and you can measure the effect that finishing the previous game has on sales of the sequel. You can measure the review scores, critic and user, for your games with and without the difficulty adjustment. You can measure how many players stick around in a multiplayer game after a loss. You can see what complaints, criticisms, or praise you get in play testing in A/B tests with or without certain parts of these that are lies. Maybe the game with totally fair racing AI shows you how to actually get better at the game, but no one’s going to have any fun if you’re so far ahead of the other racers that it feels like you’re racing on an empty track, and game designers knew that decades ago.