Why The New York Times might win its copyright lawsuit against OpenAI::The AI community needs to take copyright lawsuits seriously.

  • General_Effort@lemmy.world
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    4 months ago

    How are the people whose articles and comments are being scraped compensated?

    By people who work on training datasets I mean, EG, the people on Amazon Mechanical Turk. I am not working on a dataset by writing this comment. I’m putting some things straight and getting exactly the payment I was promised - IE none.

    “This perfectly good movie has already been made and paid for, that means I can watch it without compensating the studio.”

    Let’s take the NYT as an example. To publish their newspapers, they need to pay reporters, but also editors and assistants. They also need offices, and for those they need to pay maintenance and janitorial staff. To get it out there, they need printers, server admins and such.

    In order for this to work, the NYT needs to make back the money that they have paid these people, plus some profit for the owners. This has already been achieved for any issue that’s older than a few days. Before the internet, either an issue sold enough or it didn’t. No one cares about yesterday’s news. I doubt the internet changes that very much. That’s what I mean by “it’s already paid for”.

    For a movie, the time horizon is probably a year or so. IDK to be honest. AFAIK, it used to be that if a blockbuster did not make a profit in cinemas, it was over. Maybe the time horizon was longer for direct-to-DVD productions. I guarantee you that no corporations plans ahead more than a few years. Patents last only 20 years and that’s more than enough to finance all the expense for R&D that has created modern tech.

    I think it is absolutely ridiculous that corporations can still extract money for something that was made in the 1940ies and even earlier. That does not pay for movies, because it’s not money that was ever calculated with. It only pays for the creation of paywalls. As long as enforcing a copyright pays for that enforcement, it will be done.

    • tb_@lemmy.world
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      4 months ago

      In order for this to work, the NYT needs to make back the money that they have paid these people, plus some profit for the owners. This has already been achieved for any issue that’s older than a few days. Before the internet, either an issue sold enough or it didn’t. No one cares about yesterday’s news. I doubt the internet changes that very much. That’s what I mean by “it’s already paid for”.

      So the moment a property breaks even, + makes “some profit”, you should no longer need to pay for it? Only when people still “care”, in that case they should pay?

      Just because it’s a news article or a comment doesn’t mean it’s fair game all of a sudden.

      And movies can make back their budget in the opening week(end) when they’re popular. The timeframe is irrelevant for your argument. At least if we’re talking about anything less than a decade or two old, because…

      I think it is absolutely ridiculous that corporations can still extract money for something that was made in the 1940ies and even earlier.

      … with this I do agree.

      • General_Effort@lemmy.world
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        4 months ago

        So the moment a property breaks even, + makes “some profit”, you should no l onger need to pay for it? Only when people still “care”, in that case they should pay?

        That’s not what I wrote, is it?

        The problem with your idea here is that some movies/games/etc never make back the investment. That would mean that they would never run out of copyright if we did it that way. That some movies are duds also means that, on average, the rate of return on such investments is dragged down.

        In a functioning market, the average ROI should be the same across the board. If something has a lower return, then people simply don’t invest in it. That’s clear, I hope. This means, that putting a cap on the profit that may be expected will reduce investments.

        Obviously, the only returns that matter for this reasoning, are expected returns. Only the expected returns fund movies, etc., and that’s why the timeframe matters.


        At this point, ideology (or philosophy) becomes important. One has to ask: What is property about?

        There are different philosophical views around this subject, but I am really only concerned with the practical outcome. The political right tends to hold an expansive, absolute view of property rights, to the point of rejecting taxation as illegitimate. The original definition of the political right was as supporters of the monarchy. It makes sense that the right would morph into something that supports all kinds of heritable privilege or right. The anti-capitalistic right seems to have largely disappeared. They often don’t agree that intellectual property is property.

        The left tends to hold more nuanced and pragmatic views. Property rights are balanced against other rights; the interests of other people and society at large. The US Constitution takes this view of copyrights and patents. [The United States Congress shall have power] To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

        This latter view is, more or less, one to which I subscribe. Without copyright, there would be only public domain. Copyright integrates creative works into a capitalistic system by turning them into capital. Intellectual property enables people to make a profit with intellectual products. However, there is a clear limit to how much profit one may extract. One may only expect that profit, which actually incentivizes intellectual production. I actually hold the general view that all (commercial) property is only legitimate as long as it works beneficially for society.

        So, I do not believe that anyone is entitled to windfall profits. I have published stuff on the web for my own reasons. Other people have found a new use for that by creating AI training datasets. I do not believe I have any moral justification to demand a share of their work.

        I hope that clears it up.


        Clearly you do not agree with this view. Obviously, you have some more absolutist view of intellectual property. I would appreciate it if you laid out your view of things. You don’t need to answer these question, I’m just putting them here to say what is unclear: How does one create or obtain intellectual property? What can be intellectual property and what are the limits? To what does this property entitle one?

        Finally: How come that these threads bring out so much support for right wing views? Looking at other threads, I would have expected left wing views to dominate. Looking at the piracy community around the corner, I would have thought that even among the right, copyright abolitionist views would dominate here. What gives?

        • tb_@lemmy.world
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          4 months ago

          That’s exactly what you wrote?

          In order for this to work, the NYT needs to make back the money that they have paid these people, plus some profit for the owners. This has already been achieved for any issue that’s older than a few days. Before the internet, either an issue sold enough or it didn’t. No one cares about yesterday’s news. I doubt the internet changes that very much. That’s what I mean by “it’s already paid for”.

          Your argument was that the sources that get scraped have already been paid for. I don’t see how it’s any different for newspapers than it is for movies and such. It’s not like news agencies are eternally profitable and never go bankrupt. Nor do I want corporations to profit for free off the comments I wrote, even if I may or may not have signed my soul away in some EULA nobody reads.

          • General_Effort@lemmy.world
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            4 months ago

            I take it that my post was too long to read. The only thing I can do is write more, which obviously will not help. So there’s nothing I can do.

            I don’t believe you actually want that right-wing hellhole you are clamoring for. But in the end, what counts is what you vote for, what you ask for, and not what you want inside.

            • tb_@lemmy.world
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              4 months ago

              You seem to have misinterpreted my “alignment”, if you will. I do agree my arguments here leaned pretty heavily on the corporate side.

              But many of these AI are either run or backed by these same massive corporations. Corporations who staunchly defend their own copyright, yet don’t mind taking from the little guy and breaking their own unfair rules even further.

              I am, generally, anti-AI. As may have been apparent. I wish not for my words to be vacuumed up into a black box to be spat back out at me.
              Whilst I think some amount of copyright is fair, 80 years is far too many. Putting a cap on how profiting any property can be is an interesting take.

              But that’s not part of the conversation. It’s wrong for AI companies to take whatever data they can get their hands on just because it’s out there for human eyes to read. Whether that content has outlived its newsworthy usefulness or not.

                • tb_@lemmy.world
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                  4 months ago

                  You are making baseless assumptions about me, though it is true I initially didn’t particularly care to read the entirety of your comment.

                  Ultimately I don’t care for the NYT. What I do care about is the starving artist whose work is being ripped off. I care about web crawlers not respecting any wishes of the creator and consent being forcefully taken.
                  If they wish not to partake that wish ought to be respected. Better yet, it should be opt-in before your works are allowed to be used.

                  But the current society isn’t about being fair. They can store your data for advertisement because you surely have nothing to hide and cannot be affected by targeted propaganda. They can use your work for their own means and charge a profit. You get to be happy you’re allowed to exist at all to lick their boots. You will own nothing and be happy.

                  Cool, you’re fine with your work being used by massive corporations to make their own profits off of your work. Not everyone may agree to that, and an artist should be able to control how their work is appropriated for some time.

                  I suppose it’s my fault for not being able to voice these awful gut feelings properly. You equate my view of personal liberty with some sort fascist mindset. You are wrong. And you who cares not for their own work does not get to import that view onto others.

                  Next you’ll call me wrong, saying you do care about your work. Which I’m sure you do, my statement was hyperbolic to some extent. But surely you must understand that your view of some sort of ROI cap does not match that of the corporations taking as they please. OpenAI suddenly stopped being so open when their model became popular.

                  • General_Effort@lemmy.world
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                    4 months ago

                    What assumption am I making about you? I think I got it quite right.

                    I suppose it’s my fault for not being able to voice these awful gut feelings properly.

                    That’s not the problem. The problem is that you are acting on gut feeling. Your policy preferences are based on gut feeling.

                    I am guessing that you want your future to be a certain way. You want future society to be a certain way. To get there, we need to take the right steps. But you’re not thinking about that at all. You’re just thinking about what steps you feel like taking.

                    That won’t get you to where you want to be. You haven’t even thought about where it will actually take you.